The 2010 DER STEINFROSCH trailer

Before I had gotten heavily into shooting DER STEINFROSCH I had a good idea some key concepts for the background story of the film. Movie trailers have always been one of my favorite parts of the cinema experience. You want to give the audience a taste but no more than that. I've seen trailers that afterwards you already know what happens throughout the film. With DER STEINFROSCH the aim has been to essentially tell the backstory of the film's antagonist while leaving the story of the film a mystery. The second and final online trailer I'm putting out before the film is released features the creature more and suggests the trouble the evil amphibian is wanting to cause. See for yourself here...


I can't wait to get this thing out because seriously, when was the last time you saw a giant frog running wild, attacking pets and people? Short answer-never. Stay tuned...DER STEINFROSCH is near!

Celtx...powerful and free scriptwriting tool.

In every aspect of the production of DER STEINFROSCH I've done some pretty intense homework. Proper script formatting and structure were no exception. When you present your story to others there's just "the right way and the wrong way". Celtx is the right way and not only offers access to scripting tools that are powerful but free. You can download Celtx free from the website. The software gives scriptwriting apps as well as those for notes, storyboarding, credits and more. For a few bucks you can purchase additional images for putting a more polished look on your storyboards. You can even buy arrows for actor or camera movement cues. I'm pretty hands-on so when it comes to storyboarding I draw my own. However, when it came time to transfer DER STEINFROSCH from pen to PC to print, Celtx was the software I used. It's awesome and if you're interested in putting a script together it's a great way to get in the game.

Find out more at the Celtx site here...http://celtx.com

Of frogs and men...

I mentioned earlier the challenge of casting non-actors in a film. It can be a challenge but if you navigate the situation carefully I think you can come up with some good stuff. The key is to know your people ahead of time and simply write FOR THEM. I got two friends to play the human characters and simply dropped them into some bizarre circumstances. Not that I'm Steven Soderbergh but he's done that to good effect in some films. You'll actually see it quite a bit in certain films. DER STEINFROSCH takes place in a southern town and if there's one thing I think is lame is actors using fake southern accents. My 'actors' sound like the real thing because they ARE the real thing. Thanks to Jeff and Zannie.

As far as having a three foot rubber frog as a character in my film? He turned out so much better than I had hoped I'm actually taking longer to get the film done than I had originally planned. I want to show more of him and what he can do. People that have seen the full length creature seem to be impressed or frightened and either is great, right? I've just finished editing a behind the scenes minidoc on the making of the creature that will go on the DVD. I've been careful to compile as much supplemental material as I can for the DVD..because bonus features are like bacon-good.

A Stein do what now?!?

Maybe you wonder "why a frog?"

The short answer is I'd never seen a bipedal frog running around in a guy's backyard raising hell with garden implements.

The story of Der Steinfrosch concerns the day of a rural landscaper who after a grueling morning of shrub-intensive customer service discovers a strange parcel in his own backyard garden. What at first seems to be an unusual statue shrouds a terrifying Nazi force. A fierce confrontation ensues followed by a creative repurpose for the evil amphibian.

Der Steinfrosch is a short monster film. Action, creative camera work and editing,interesting characters, some jokes, gruesome frog attacks (not so much gruesome)...

While I'm on the subject of gruesome I gotta submit there's a time and a place for it. I love a good cinematic dinosaur attack or chestburster sequence but the torture porn can stay home. At one time this film held the promise of some sweet dismemberment and nightmarish abdominal-content flinging but I decided I could just try some creative work-arounds to hold my audience's interest. Please don't confuse my decision for any type of prudish view on cinema violence. I thought the last RAMBO flick was awesome and Peter Jackson's DEAD ALIVE was a @*#$& masterpiece. Next film I make might have some blood. It might not be red.

So no big actors. I decide to write for people I know that aren't actors. I know they can't act but they can be themselves. All I had to do was put their characters in bizarre situations knowing ahead of time how they would react. This approach has worked really well. I only have two characters that are human and the sole antagonist is a rubber puppet. Should I not say RUBBER PUPPET? I feel like George Castanza the time he got caught fooling around with the cleaning lady on his desk at work...'should I NOT have done that?' Seriously, I wonder if people during the production of THE EMPIRE STRIKES BACK they called Yoda a 'rubber puppet'? Lifelike animatronic? Crudely robotic creature mechanism? If I had Frank Oz playing the character, RUBBER PUPPET would probably get the NO button.


When I was little I was afraid of some puppets. I think a well played puppet can look pretty dang creepy simply BECAUSE it's a puppet. I had made some wire and latex creatures before for some stop motion projects but the STEINFROSCH was literally a new type of animal. An 'animatronic' and non-actors. The secret weapons of every successful film.

Next post we'll talk about the characterfolk actor-types playing in the story. We'll have a link to some video as well.

Keep that froggy feeling.